Thank you, Anon, and in response to your question: I have no idea. The writers have, honest to gods, written a character that is, make no mistake, abusive, whether he means to be or not. It’s well-portrayed, it’s chilling to those of us who have experienced similar, and neither the writers or the actor himself seem to get that that’s what is there in the script, on the screen, in the show. I’ve never been 100% comfortable with the character, and the more I look at him in retrospect, the more I understand why that is. To be fair, it took me a while to realize, even having the experiences
I’ve had, so I suppose it’s possible they genuinely don’t realize what
they’ve put out there.
I would have thought, though, that the ending of the show was fairly cut and dried on that front – S*lver basically tells both Flint and Madi that they’re not capable of making good decisions on their own so he’s making decisions for them. He treats Madi and her people like that, and then when she tells him to get out – when she tells him she wants nothing more to do with him after what he’s done – he refuses to leave. He tells her he’ll wait until she comes around to understanding what he’s done and why and my gods does that sound like every abuser ever telling someone they’ve hurt them for their own good and that it’s their fault they had to do it. He tells Flint the same – I’m selling you for your own good, Thomas is there, go quietly. If you hadn’t insisted on your war (here read: if you hadn’t had convictions and ideals you believed in strongly enough to die for) I wouldn’t be doing this. I could quote considerably more of the show at you – it’s woven through s1 to s4, but I’ll stop here, because this isn’t meant to be a long, drawn out meta.
