Anon, I don’t even know. Not making that comparison is like, idk, not analyzing that Pearl in The Scarlet Letter is named for the biblical verse or that Nick in the Great Gatsby is queer enough to sleep with dudes. It’s explicit enough in the text that there is an existing comparison to be made between Peter Ashe and Silver that they use the same dialogue. They use the same justification! Like, I hate Peter Ashe as much as the next person, but he is very clear that he did it because Alfred Hamilton threatened his future and threatened his daughter. How is that any less of a justification than doing it for Madi and the future that Silver wants with her? He is just as clear! He says to Flint that he sees a future with Madi and wants it. It’s right there in the text. It’s not like, “ho ho, i want to find the worst possible read on Silver because he is a mustachioed villain.” It is because everyone has a reason for doing what they’re doing. If you’re extending sympathy to Silver because he is afraid and wants to save Madi and is trying to have a future where he saves lives, you should be able extend that sympathy to Peter Ashe for wanting the same things. If you are using Silver’s practicality as it regards Madi and Flint’s end goals to justify what he does, you should be able to give that same acknowledgment to Peter Ashe who, again, does the exact same thing. Just because we see the fall out of what Peter Ashe does and not the full fall out of what Silver does doesn’t mean that those things don’t happen.
One of the moral and ethical complexities of this show is that you can have good reasons for what you are doing, really sympathetic understandable reasons, and still do terrible things. The good sympathetic understandable reasons don’t make the terrible things less terrible. They don’t make the people who pay the price of them less hurt. Does anyone who burned in Charlestown or any of the other towns Flint sacked give a solitary shit why he did it? No. Is the first runaway slave to get turned away from the Maroon camps or returned as per the terms of the treaty going to give a single fuck that Max and Jack and Madame Guthrie and John Silver made it so that the treaty was part of the terms of surrender in a war the Maroons hadn’t actually lost? I doubt it. Is that person going to care that Julius wants to preserve the things they have instead of risking the future? God knows I wouldn’t.
AND THEN. Yeah, let’s get into Alfred Hamilton and John Silver because this is where I think things get really interesting. Let’s throw Hal Gates in there too, because he does this to Flint as well.
There are three pivotal moments in Flint’s life where someone looked at him and essentially said, “What I want matters more than what you want and I am going to make you go away to get it.” Do they all have good reasons for it? I’m sure Alfred Hamilton thought the preservation of his name, power, and influence was more than enough reason to make an officer from the lower classes and his troublesome daughter in law go the fuck away. But do we think that? No. Because it hurt characters we’re invested in. Because the reason isn’t good enough for what he did and he only ruined three lives. Hal Gates wanted Flint and Miranda to go away because Flint maybe possibly killed Billy and didn’t care about his men. Were his reasons good? Maybe. To Billy, sure. To Dufresne and Degroot and the rest of the crew, yes. Good enough to make it so they thought that Flint should hang for killing him.
So what makes John Silver’s actions different? His reasons are good to him. He wants to save Madi at all costs. He wants not to go to war. These are all fantastic reasons, much like Gates’ reasons are fantastic reasons. Alfred Hamilton’s reasons are excellent reasons to him. But the end result for Flint is the same: he loses all the things he’s worked for, he is made to go away, and someone else dictates the terms of his story.
Silver has his reasons for wanting the war to end. Max has her reasons. Julius has his. Flint and Madi and the pirates and maroons who came to fight England had theirs for wanting it to continue. Everyone counted up the costs to what they were doing and decided those costs were worth it and that put them into opposition with each other. That doesn’t make one side objectively right or wrong. It means that you take the reasons the show presents and compare them to your own ethics and morals and fucking engage with the text on those terms. And, much like the show, everyone watching it has their reasons for their reaction and those reactions are entirely valid based as they are in our own lived experiences and our beliefs and our histories.
This is why that assertion that the people criticizing Silver for what he does in the ending are flattening the ending or losing the moral complexity of it by comparing what he does to previous antagonists really really irk me: the ethical complexity of the show is LITERALLY the point of the comparisons. Good people do terrible things. Terrible people do good things. Everyone contains multitudes. Everyone’s reasons for what they are doing are good and justifiable to them. Whether those reasons are good or justifiable to anyone/everyone else is the one of the points of the show.
Hey! Really good and well discussed meta above, however I’d like to contest something. What Silver did in the end may be comparable to both Alfred Hamilton and Peter Ashe’s actions in terms of “he had his own excellent reasons and so he sent Flint away,” and so they may look similar on the surface but they are absolutely not comparable when you consider the way those characters felt about Flint. Alfred Hamilton considered Flint to be disposable. He probably barely gave him any consideration. Peter Ashe betrayed both Thomas and Flint in the process and separated them for ten years, and when Flint showed up at his door asking for pardons he continued the ruse and thought it a better idea to expose Flint to London’s ridicule and judgement rather than admit to what he did and tell him about Thomas still being alive. (You could argue Silver does this for half of s4 and you would be right. Except Silver comes clean and Peter does not. The threat of Alfred Hamilton no longer exists. He could tell Flint, and yet he doesn’t.)
The closest betrayal to Silver’s is probably Gates. Gates loved Flint, in some ways, and Flint loved him in some ways. This betrayal is also completely different to the ones mentioned above. I think its doing a disservice to both Gates and Silver to throw them together into this pile of shit.
Silver literally reunited Flint with the man he loves. Silver did the exact opposite of what both Peter and Alfred did. It still served to take Flint out of the picture but it still has to be taken into consideration when judging the moral rightness vs. wrongness of his actions, and especially when considering their relationship. It’s not the same thing. It’s not. It might stem from the same motivation (to protect their own), but the way they go about it and the repercussions that Flint ultimately faces is completely different. It is absolutely a betrayal, but it’s not of the same kind. Gates and Silver both loved Flint, and wanted on some level to keep him safe. This is an aspect that needs to be considered and I don’t think that’s contestable. It’s still paternalistic and it is most definitely robbing Flint of any agency, but the underlying relationships between these characters definitely have to be considered. That’s what’s being flattened when both Silver and Gates are lumped together with Alfred Hamilton.
Let’s also remember: Silver sent six men to kill Flint and tried to kill him himself literally hours before he reunites him with the man he loves. Reuniting him with Thomas wasn’t the goal, which we know because he doesn’t do it when Flint is of use to him; reuniting him with Thomas was the carrot to keep him away from restarting the war.
But in the end, i would argue that whatever the feelings motivating the actions don’t actually matter to the person being disposed of. We don’t know how Peter Ashe felt about James McGraw or Thomas, just that when weighed against his wife and daughter, they were worth less to him. Flint, when weighed against Billy, was worth less to Gates. Flint, when weighed against Madi’s survival, was worth less to Silver.
The relationships are context for the tragedy but they don’t actually change the action.