complaininginthedark:

 @flintsredhair :  James rescues Charles in s3 and Feels ensue. Also if they could somehow save Thomas that would be great.

HERE YOU GO. Not the most exciting piece but there is *tension* in there. 


Freeing Charles was simpler in the end than he had expected. The guards were tired; overworked, with little to no sleep and rations that were starting to spoil. He took some of the stronger and more dependable men from his crew in the dead of night and stole Charles away right under the “governor’s” nose.

Charles spat on the floor where he had been chained before taking a sword, buckling it to his belt, and a pistol in hand. The dirt smeared on his cheeks and brow made him seem more animal than man – his hair was dirty and tangled where it hung over his shoulders, adding to the image.

“Seems our roles have reversed,” Charles grunted. There was appreciation in his voice, a dulled edge to his gaze as he stood before Flint.

“I’ve suffered the deaths of too many who mean something to me; I’ll suffer no more.”

The words were sincere. He thought at first that they would make him seem weak, but Charles lowered his eyes and shifted ever so slightly closer, held his hand out. His palm was hot, clammy with sweat, but solid and alive in Flint’s own hand. They held on a moment too long. It was only a moment, barely more than a breath, but James felt a sting in his heart as the feeling of calloused skin under his fingers took him back to Thomas’ bed.

As they left the streets, boarded the Walrus and headed out to open water, Flint let his breath come easier. The weight in his chest and shoulders lifted, his whole being finding a calmness in the moments after. They would stay out of sight for a few days, retreat away from Nassau to prevent fighting before returning to take the island back from the so-called “civilised hands” of the British Empire.

Or that was the plan.

Charles told him of news he had heard, a secret that hadn’t yet reached the ears of the governor, and James’ whole world crumbled and reassembled in moments.

“There’s a place,” Charles had said, “in Spanish Florida. Rich men’s shames are sent there to be hidden away; love children, slaves with too much in their heads, unwanted relatives… Kept out of the way in exchange for money and secrecy. Word is there’s a man there who you might have known, once.”

To say he kept his composure is a lie. James felt the sob in his throat only as it clawed its way out. Charles let him weep, only reached out to touch when the breath didn’t enter his lungs and his vision blurred and faded.

Charles asked quietly, a hand on the back of James’ neck like an anchor to keep him from drifting back into that black abyss of guilt and grief, “who is he?”

James shared his story then. Every moment of happiness, the sharp sting of loss, the blast of betrayal that finalised his form as a monster in the eyes of men. Charles listened, his expression sombre and troubled at the tale as each turn was revealed.

“You love him,” was the only thing Charles said.

“More than I can say. For ten years I’ve grieved, ten fucking years-”

A hand rested on his knee. The warmth made his chest flutter, his lips purse. Charles just touched him though; it was an act of comfort, of understanding, one that James felt linger for hours after.

They set sail for Florida as soon as the wind picks up. Charles stood by his side on the quarterdeck as the sailed towards the sun.

Thomas Hamilton

kyakykreativitylover:

Thomas Hamilton potentially spent YEARS of his life in THE Bedlam, the original cartoonishly evil mental hospital. He had to endure years of, what we millennials would call torture. From cold baths, purging (forced vomiting), flogging (serious whipping), blood letting and TOTAL isolation. He was probably (definitely) chained and shackled, starved and humiliated. He lived through that. HE SURVIVED THAT.

#That’s all folks#That’s all I wanted to say#Thomas Hamilton#This is why I get annoyed everytime someone says he’s boring#WE DON’T KNOW HIS TRAUMA#The show is called BLACK SAILS#NOT WHITE WIGS#We focused on Flint so ofcourse we know Flint and the gang better#BUT THOMAS HAMILTON IS NOT BORING#He just isn’t#He’s a really interesting character if you CARE to think about it via @kyakykreativitylover

But when did the parallel between Silver’s decision and Alfred’s became a bad thing? O_O Some of the most prominent s*ilverfl*nt blogs have done it in the past. The parallel *is* there. The reasons are different, but the parallel is there. Why is it a problem now? Because a non-s*ilverfl*nt shipper has done it? captain-flint(.)tumblr(.)com/post/159649086888/flint-is-gone-retired-from-the-account-he-was gaysails(.)tumblr(.)com/post/159321573042/i-dont-know-why-you-did-this-but-i-know-you-did

drivingsideways33:

flintsredhair:

annevbonny:

sidewaystime:

annevbonny:

sidewaystime:

Anon, I don’t even know. Not making that comparison is like, idk, not analyzing that Pearl in The Scarlet Letter is named for the biblical verse or that Nick in the Great Gatsby is queer enough to sleep with dudes. It’s explicit enough in the text that there is an existing comparison to be made between Peter Ashe and Silver that they use the same dialogue. They use the same justification! Like, I hate Peter Ashe as much as the next person, but he is very clear that he did it because Alfred Hamilton threatened his future and threatened his daughter. How is that any less of a justification than doing it for Madi and the future that Silver wants with her? He is just as clear! He says to Flint that he sees a future with Madi and wants it. It’s right there in the text. It’s not like, “ho ho, i want to find the worst possible read on Silver because he is a mustachioed villain.” It is because everyone has a reason for doing what they’re doing. If you’re extending sympathy to Silver because he is afraid and wants to save Madi and is trying to have a future where he saves lives, you should be able extend that sympathy to Peter Ashe for wanting the same things. If you are using Silver’s practicality as it regards Madi and Flint’s end goals to justify what he does, you should be able to give that same acknowledgment to Peter Ashe who, again, does the exact same thing. Just because we see the fall out of what Peter Ashe does and not the full fall out of what Silver does doesn’t mean that those things don’t happen. 

One of the moral and ethical complexities of this show is that you can have good reasons for what you are doing, really sympathetic understandable reasons, and still do terrible things. The good sympathetic understandable reasons don’t make the terrible things less terrible. They don’t make the people who pay the price of them less hurt. Does anyone who burned in Charlestown or any of the other towns Flint sacked give a solitary shit why he did it? No. Is the first runaway slave to get turned away from the Maroon camps or returned as per the terms of the treaty going to give a single fuck that Max and Jack and Madame Guthrie and John Silver made it so that the treaty was part of the terms of surrender in a war the Maroons hadn’t actually lost? I doubt it. Is that person going to care that Julius wants to preserve the things they have instead of risking the future? God knows I wouldn’t.

AND THEN. Yeah, let’s get into Alfred Hamilton and John Silver because this is where I think things get really interesting. Let’s throw Hal Gates in there too, because he does this to Flint as well.

There are three pivotal moments in Flint’s life where someone looked at him and essentially said, “What I want matters more than what you want and I am going to make you go away to get it.” Do they all have good reasons for it? I’m sure Alfred Hamilton thought the preservation of his name, power, and influence was more than enough reason to make an officer from the lower classes and his troublesome daughter in law go the fuck away. But do we think that? No. Because it hurt characters we’re invested in. Because the reason isn’t good enough for what he did and he only ruined three lives. Hal Gates wanted Flint and Miranda to go away because Flint maybe possibly killed Billy and didn’t care about his men. Were his reasons good? Maybe. To Billy, sure. To Dufresne and Degroot and the rest of the crew, yes. Good enough to make it so they thought that Flint should hang for killing him. 

So what makes John Silver’s actions different? His reasons are good to him. He wants to save Madi at all costs. He wants not to go to war. These are all fantastic reasons, much like Gates’ reasons are fantastic reasons. Alfred Hamilton’s reasons are excellent reasons to him. But the end result for Flint is the same: he loses all the things he’s worked for, he is made to go away, and someone else dictates the terms of his story. 

Silver has his reasons for wanting the war to end. Max has her reasons. Julius has his. Flint and Madi and the pirates and maroons who came to fight England had theirs for wanting it to continue. Everyone counted up the costs to what they were doing and decided those costs were worth it and that put them into opposition with each other. That doesn’t make one side objectively right or wrong. It means that you take the reasons the show presents and compare them to your own ethics and morals and fucking engage with the text on those terms. And, much like the show, everyone watching it has their reasons for their reaction and those reactions are entirely valid based as they are in our own lived experiences and our beliefs and our histories. 

This is why that assertion that the people criticizing Silver for what he does in the ending are flattening the ending or losing the moral complexity of it by comparing what he does to previous antagonists really really irk me: the ethical complexity of the show is LITERALLY the point of the comparisons. Good people do terrible things. Terrible people do good things. Everyone contains multitudes. Everyone’s reasons for what they are doing are good and justifiable to them. Whether those reasons are good or justifiable to anyone/everyone else is the one of the points of the show. 

Hey! Really good and well discussed meta above, however I’d like to contest something. What Silver did in the end may be comparable to both Alfred Hamilton and Peter Ashe’s actions in terms of “he had his own excellent reasons and so he sent Flint away,” and so they may look similar on the surface but they are absolutely not comparable when you consider the way those characters felt about Flint. Alfred Hamilton considered Flint to be disposable. He probably barely gave him any consideration. Peter Ashe betrayed both Thomas and Flint in the process and separated them for ten years, and when Flint showed up at his door asking for pardons he continued the ruse and thought it a better idea to expose Flint to London’s ridicule and judgement rather than admit to what he did and tell him about Thomas still being alive. (You could argue Silver does this for half of s4 and you would be right. Except Silver comes clean and Peter does not. The threat of Alfred Hamilton no longer exists. He could tell Flint, and yet he doesn’t.) 

The closest betrayal to Silver’s is probably Gates. Gates loved Flint, in some ways, and Flint loved him in some ways. This betrayal is also completely different to the ones mentioned above. I think its doing a disservice to both Gates and Silver to throw them together into this pile of shit. 

Silver literally reunited Flint with the man he loves. Silver did the exact opposite of what both Peter and Alfred did. It still served to take Flint out of the picture but it still has to be taken into consideration when judging the moral rightness vs. wrongness of his actions, and especially when considering their relationship. It’s not the same thing. It’s not. It might stem from the same motivation (to protect their own), but the way they go about it and the repercussions that Flint ultimately faces is completely different. It is absolutely a betrayal, but it’s not of the same kind. Gates and Silver both loved Flint, and wanted on some level to keep him safe. This is an aspect that needs to be considered and I don’t think that’s contestable. It’s still paternalistic and it is most definitely robbing Flint of any agency, but the underlying relationships between these characters definitely have to be considered. That’s what’s being flattened when both Silver and Gates are lumped together with Alfred Hamilton. 

Let’s also remember: Silver sent six men to kill Flint and tried to kill him himself literally hours before he reunites him with the man he loves. Reuniting him with Thomas wasn’t the goal, which we know because he doesn’t do it when Flint is of use to him; reuniting him with Thomas was the carrot to keep him away from restarting the war.

But in the end, i would argue that whatever the feelings motivating the actions don’t actually matter to the person being disposed of. We don’t know how Peter Ashe felt about James McGraw or Thomas, just that when weighed against his wife and daughter, they were worth less to him. Flint, when weighed against Billy, was worth less to Gates. Flint, when weighed against Madi’s survival, was worth less to Silver. 

The relationships are context for the tragedy but they don’t actually change the action.

I’m not saying they change the action, I’m saying they should change the way the action should be judged. In the same way Flint killing Alfred Hamilton and Flint killing Gates is not the same thing. 

I also fundamentally disagree that Thomas was a….carrot. I think if the only goal was to keep Flint from starting the war, Silver could have just killed him. That’s surest possible way to keep him from restarting the war, wouldn’t you say? Why bother keeping him alive? Why bother hunting Thomas down? Why bother offering days and weeks and months of your time to convince Flint to let the war go other than just outright shooting him? Why bother taking Flint to Savannah at all? All of this is active effort in the middle of a war. Keeping him alive is Silver going out of his way to keep him alive. 

The way I see it, if Flint is alive, re-uniting him with Thomas was at least some part of the goal. If the goal was to get rid of him, there’s a sure fire way to do so. If Flint is alive, there is something that stays Silver’s hand. There’s is something that has him hunt Thomas Hamilton down, there is something that has Silver go on the ship to Savannah and deliver Flint to Thomas. That’s a thing that should be considered. That’s the way I see it. I don’t understand at all how that can be ignored. There’s complexity here that is being missed out on. That’s the whole point. 

This is addressed in the show. The reason Silver can’t kill Flint is named Madi, who would have continued the war in his name if Silver had martyred him by shooting him. I don’t deny that he cared about Flint or that Flint cared about him, but that wasn’t what stayed his hand, as evidenced by the fact that literally a few hours earlier, he was fine with sending men to kill Flint and then tried to do it himself. The difference is that in the time between then and the end of the finale, Flint had very publicly won a major battle in the war against England and had the loyalty of a lot of people from that, which meant that he could no longer be painted as a traitor to the cause. Instead, he had to be gotten rid of in a way that made it seem like he’d disappeared willingly. No one’s ignoring the complexity of anything, we’re simply saying that Silver had reasons other than fondness to do what he did. 

Esp yes to what @flintsredhair said above: 

The difference is that in the time between then and the end of the finale, Flint had very publicly won a major battle in the war against England and had the loyalty of a lot of people from that, which meant that he could no longer be painted as a traitor to the cause.

Silver could not afford to let Flint become a martyr or be seen to be betrayed. 

As for the grand gesture of reuniting Thomas and Flint- however late, at however convenient a time- please let us not forget that it was essentially condemning Thomas and Flint to a life of slavery. Oh it’s dressed up and made to look palatable: but it is NOT a paradise of any sorts, from any angle. It is a slave labour camp that we know houses not just murderers but also people who are ‘inconvenient’- i.e. those who have not committed any crime at all, except that of violating society’s codes. 

Also, idk, this may sound Strange and Weird to people on this site, but y’know what? True Love does not make up for everything else wrong with this world. At best, reuniting Thomas and Flint helps in the sense they no longer have to face the world’s injustices alone (esp in the case of Thomas, in Flint’s case it is more complex- he is denied one kind of solidarity and given another), but it does not change the fact that those injustices exist and must be faced and lived with and fought against. Sending Flint to the slave camp sends him to a place where he is possibly literally without any resources to fight. You’ve devastated him emotionally, robbed him of his allies and friends and then- sent him into enslavement and it’s supposed to be magically OK because…True Love???

Thomas and James are people who existed before they met each other, who had principles and causes and ideals before they met each other; yes they probably profoundly shaped each other’s thinking: but they exist outside of their relationship with each other too. So think on that for a second or five and then consider what it means to keep these characters in perpetual enslavement and then call that A Good Thing just because they are together. 

sidewaystime:

flintsredhair:

@ladytp replied to your post

But why does common thinking seem to assume – without any real reason besides blind hope – that Flint and Madi’s war would have succeeded in overthrowing British yoke, abolishing slavery and freeing those millions of future generations from the fate worse than death? Would a crew of pirates and runaway slaves really have defeated the British Empire, the most powerful in the world with unlimited resources at hand?

Because there were other successful rebellions against the British Crown in the same area in the same century. Because the American Revolution succeeded with scarcely more resources than the pirates and slaves could have mustered. The short answer is yes, and the long answer is even if they didn’t succeed, it’s important that someone would have tried, because it would have given others the notion that a rebellion could succeed in the future. The fact that the pirates of Nassau managed to annoy the British into offering the pardons in the first place is, as Flint rightly noted, a sign that England thought there was a possibility they could win, because you don’t pardon people you can successfully put down by other means that will scare other dissenters into backing down.

I mean, also, it was framed within the text as being viable enough to be a threat. Not only is there the economic disruption that a concerted fleet of pirates could enact upon trade in the Caribbean, but very specifically the threat was that with Maroon help, Flint could do what he was speculating and get 1 in 4 newly freed slaves to join their rebellion. The threat of that alone was enough to get the Spanish in Havana to join in; that’s the stick Rogers used to motivate them. None of the imperial powers in the Caribbean could withstand a slave rebellion, especially not one backed by a naval fleet disrupting trade. 

And to back up what @flintsredhair says, the other part of the threat they posed was that they stood ready to expose the lie that the British empire was all powerful. Flint knows they’re not, because he was there when they lost Nassau the first time. Madi knows they’re not, because her island even exists in the first place and she’s free. The biggest enemy Flint and Madi faced (and the enemy that eventually defeated them) was fear of Britain’s inevitability. The assumption was that of course Britain would win eventually, so what was the point of fighting now. Institutional inertia is absolutely an enemy and every single time people in the show came close to showing that, they got shot down. 

Also on a metanarrative level: there’s no tragedy to that ending if the war is a futile delusion. The stakes at the end have to mirror each other or there’s no narrative weight to what happens. On Flint and Madi’s side, you have darkness and loss now for the hope of freedom later. On Silver’s (and Max and Jack and Julius) side, you have the guarantee of freedom now and the equal guarantee of darkness and loss later. It’s ambiguous, sure, on if Flint and Madi would succeed. But I don’t think it’s ambiguous within the text they they could have succeeded. 

comtessedebussy:

lukearnold said:

STEPHENS: The thing about Flint is that he’s playing out his own psycho-drama on a massive canvas. It’s motivated not by altruistic reasons of wanting to emancipate all these people. It’s really that he wants revenge on England for doing what it did to him.

Okay, so here’s the thing: I actually think the reasons why Flint is fighting the war he’s fighting are complex and interesting and worth discussing. And yes, I value Toby Stephens’ insights into Flint a lot, but I’m also not willing to take them as The Gospel. 

So here’s the other thing: revenge and fighting oppression are not necessarily mutually exclusive, and for Flint, it’s even more complex, because for him, a battle against oppression by definition cannot be a fight for altruistic reasons. He’s one of the people who’s oppressed, so if he’s fighting England, he is, in part, fighting for himself. The same is true for the maroons. They may not be fighting out of spite or revenge like Flint, but they are also not fighting for altruistic reasons: they are fighting for the very, very selfish reasons of not wanting to be fucking enslaved. 

Yes, he wants revenge on England for what it did to him. But the form he wants that revenge to take is by making the world that Thomas Hamilton wanted. Thomas Hamilton wanted to “rethink systemic things” and make the new world, well, a new opportunity. England took that from them and “killed” Thomas, so Flint’s act of revenge is to do the things that England killed Thomas for. As a friend of mine said (who I am not mentioning here, because she does not want to get involved in this and have people showing up calling her posts ridiculous): 

So from a purely narrative standpoint, it is vitally important that James proceeds to do everything in his power to achieve the greatest upset to the status quo that he possibly can.

And, honestly, I think it’s telling that Flint wasn’t always going to fight an outright war. He sailed to Charlestown. He was willing to go on trial, to go to England, to tell his story, and to be branded a monster to make Thomas Hamilton’s dream a vision. He wanted to upset the status quo, even at the cost of his own life. But then Miranda died, and his rage was rekindled, and he went to war. 

And yes, he is indeed motivated by rage in that war. But, funnily enough, rage can be a great motivator for changing things. Oppressed people who fight oppression are, shockingly, full of rage. (I wonder why…) Fighting oppression is complicated and it’s not done by pure morally upright people with no investment in the outcome for altruistic reasons because it’s the “right thing to do.” It’s done by angry people who suffer from the system and want to change it. That’s how it fucking works. 

And yes, we can have a conversation about his methods and how effective they were. We can have a conversation about the fact that he didn’t think he would even be around to see this new world that he was making. But Flint wasn’t just trying to burn everything down to the ground for kicks. Flint was trying to burn the system of civilization to the ground so that something better could be built from it, and he did it very largely out of rage an anger and I for one don’t think that makes it somehow any less. And, again, I would note that he was allied with Madi and the Maroons, who had a very valid stake in this fight that wasn’t just rage or revenge, and who were more than happy to fight this war alongside him. Who saw this war as a valid fight that needed to be fought (and I think it would be doing Madi a disservice, as a character, to suggest that she was naive in trusting Flint and allying herself with him). 

And one last thought: the idea that if you’re angry and full of rage and the desire for revenge, your fight against oppression becomes somehow invalid is really, really harmful. If you’ve been systemically oppressed and hurt and vilified and hunted down, you’re going to be pissed. That is normal and valid, and being nice and “not fighting hate with hate” is not a thing that works. 

queerhawkeyes:

I’m having a hard time with the whole ‘well the plantation owner supposedly treats the convicts nicely so it’s okay’ thing. that sounds almost identical to (white) people who want to sanitize slavery and think that if a slave owner was “nice” then it was okay. and yes, thomas was not a slave, but labor camps are still a form of incarceration, and if you are not being compensated for your labor and you are not free to leave, then what are you? like the point isn’t that this plantation owner probably adequately fed the “workers” and didn’t beat any of them to death, the point is that they are not free. yeah it might have been worse in the prisons in England, and it’s surely better than the treatment black slaves faced, but that doesn’t make it okay? and I just can’t see Flint, who wanted to free all of the world from Britain, accept it just because they could be facing worse elsewhere. 

BLACK SAILS 410 SPOILERS

stackcats:

Here be spoilers. not using a cut because those things suck

things I loved:

-SILVER HOLY SHIT. That manipulative little shit. He didn’t kill Flint, he unmade him. He brought back James McGraw. It really was the only solution that would actually break the cycle of violence. He recognised the big picture, the one not even Flint could see, and he single-handedly prevented a catastrophic war that would’ve killed thousands.

-The pirates effortlessly boarding the bigger, better equipped and manned ship and taking that motherfucker

-”Please sir, I’m just the cook”

-Flint dropping Billy into the ocean. Again.

-Jack and Flint taking down Rogers was pretty fucking satisfying

-Rogers being humiliated by the system he represented, rather than brutalised by the system he inflicted upon the pirates. I hated the fucker, but he was a good villain.

-Madi’s rage, and her eventual understanding. I could have used 10 more minutes to explore her thoughts on the whole thing. It needed more Madi as a person, not a plot device.

-MARK READ. And Anne’s incredulous “are you kidding me” look when she’s introduced.

-TOM MORGAN.

-Featherstone as Governor!

-Idelle as a Governor’s Wife!

-Thomas motherfucking Hamilton, ladies and gentlemen.

-That hug/kiss/forehead boop

-I CRIED

-SERIOUSLY

-James Flint Got To Kiss A Man 2017

-I’M STILL CRYING

-The FLAG

-Jack, just… Jack.

-I’m so proud of my son Jack Rackham.

-And My Wife Max

-So proud.

Things I loved less

-Madi, Max, and Anne all being removed from the final battle fucking sucked. It’s almost enough to ruin it for me, let’s be frank. You go ahead and develop all these badass women and then shelf them for the finale? who the fuck decided that was a good idea? I get why Max was with Granny Guthrie, but Madi and Anne should’ve been right in the fucking thick of it. There was catagorically no reason to remove Anne from Jack’s crew for the battle. At all.

-Look okay. I can accept Flint being sent to the labour camp. I get it. He gets to live and move on from his war, but pays for his crimes against humanity. HOWEVER. Thomas Hamilton still doesn’t deserve to be there! Let him go!

-Black Sails may have invented Unbury Your Gays but they also invented Gays Can Be Happy So Long As They’re Confined To A Labour Camp. The implications of leaving them both there are kind of… not good…

-Someone write fix-it fic where they break out please

-The slaves totally got shelved too. Madi, the Maroon Queen, and Julius should’ve been involved in the finale, not just a footnote.

-The whole thing was definitely too rushed.

-Beyond rushed.

-Should’ve been 2 hours honestly

-The writers deserve an “I Tried” sticker, but ultimately their handling of race, gender, and sexuality did fall pretty fucking short. 

IN SUMMARY

-I’m dead

-Someone spread some earth over me

-James Flint Got To Kiss A Man

wifihunters:

hey but 

shoutout to everyone who got up this morning and went to work or class, or got their kid up, or had to do the grocery shopping while everything was falling to pieces. 

you all did great. whatever you did to get through the day, even if you broke down, you did great. everyone who couldn’t is no less for it, but to every service worker with no sick days and every employee trying to pretend like customer service or routine meant a thing–you did great

you are very brave, and so strong, and you deserve whatever rest you can find.