Daughter of a gun (ﾉ´ヮ´)ﾉ*:･ﾟ✧ No idea if such a thing existed but surely there had to be girls born on board in the Age of Sail?
*puts on obnoxious historian hat*
*clears throat*
there were actually tons of women and girls on board ships during the age of sail and it’s really cool history that no one!!! ever!!! talks about!!!
like captains of merchant ships used to bring their wives and children on board for long voyages all the time (and of course there were plenty of well known female pirate ship captains, and women cross-dressing as men, and prostitutes that more people seem to know of)
there’s actually a really amazing story of one woman, Mary Ann Patten who was the wife of the captain of this ship called Neptune’s Car. Captain Patten decided that he wanted her onboard with him and she was super about this and learned all about navigation and sailing and everything. so this one voyage they’re going around the tip of south america when her husband gets sick and is bed ridden with a fever right as the ship sails into one of the worst storms any of the crew had ever seen and it looks like they might lose the ship or have to stop
so you know who takes over??? the first mate???
no.
MARY
she took over the whole crew and sailed that ship through freezing water and pack ice and had it coasting smoothly into the san francisco harbour like it was nothing. and she did this all at age 19. while pregnant.
at one point the first mate tried to get the crew to mutiny against her but they all rallied with her and told him to shut the heck up because she obv knew what she was doing.
there’s a great book about women in the age of sail called ‘female tars’ by suzanne stark that i cannot recommend enough and has way more amazing stories and insights about the myriad roles women and girls played aboard ship during that time period.
(sorry i totally didn’t mean to hijack your post i love all of your art and this is gorgeous i just got over excited sorry sorry sorry)
Writing with Color: Description Guide – Words for Skin Tone
We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.
So let’s get to it.
S T A N D A R D D E S C R I P T I O N
B a s i c C o l o r s
Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
This is a perfectly fine description that, while not providing the most detail, works well and will never become cliché.
Describing characters’ skin as simply brown or beige works on its own, though it’s not particularly telling just from the range in brown alone.
C o m p l e x C o l o r s
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown,russet brown, tawny beige…
As some of these are on the “rare” side, sliding in a definition of the word within the sentence itself may help readers who are unfamiliar with the term visualize the color without seeking a dictionary.
“He was tall and slim, his skin a russet, reddish-brown.”
Comparisons to familiar colors or visuals are also helpful:
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
M o d i f i e r s
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
D a r k – D e e p – R i c h – C o o l
W a r m – M e d i u m – T a n
F a i r – L i g h t – P a l e
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Keep in mind that these modifiers are not exactly colors.
As an already brown-skinned person, I get tan from a lot of sun and resultingly become a darker,deeper brown. I turn a pale, more yellow-brown in the winter.
While best used in combination with a color, I suppose words like “tan”“fair” and “light” do work alone; just note that tan is less likely to be taken for “naturally tan” and much more likely a tanned White person.
Calling someone “dark” as description on its own is offensive to some and also ambiguous. (See: Describing Skin as Dark)
U n d e r t o n e s
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.
Mentioning the undertones within a character’s skin is an even more precise way to denote skin tone.
As shown, there’s a difference between say, brown skin withwarm orange-red undertones (Kelly Rowland) and brown skin with cool, jewel undertones (Rutina Wesley).
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
Here the state of skin also gives insight on character.
Note my use of “fawn” in regards to multiple meaning and association. While fawn is a color, it’s also a small, timid deer, which describes this very traumatized character of mine perfectly.
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
C R E A T I V E D E S C R I P T I O N
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose–like, so do what feels right for your writing when and where.
Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.
Now before you run off to compare your heroine’s skin to the harvest moon or a cliff side, think about the associations to your words.
When I think cliff, I think of jagged, perilous, rough. I hear sand and picture grainy, yet smooth. Calm. mellow.
So consider your character and what you see fit to compare them too.
Also consider whose perspective you’re describing them from. Someone describing a person they revere or admire may have a more pleasant, loftier description than someone who can’t stand the person.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”
Even creative descriptions tend to draw help from your standard words.
F L O W E R S
Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
It was a bit difficult to find flowers to my liking that didn’t have a 20 character name or wasn’t called something like “chocolate silk” so these are the finalists.
You’ll definitely want to avoid purple-prose here.
Also be aware of flowers that most might’ve never heard of. Roses are easy, as most know the look and coloring(s) of this plant. But Western coneflowers? Calla lilies? Maybe not so much.
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”
These ones are kinda odd. Perhaps because I’ve never seen these in comparison to skin tone, With the exception of amber.
At least they’re common enough that most may have an idea what you’re talking about at the mention of “pinecone.“
I suggest reading out your sentences aloud to get a better feel of how it’ll sounds.
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”
I pictured some tree-dwelling being or person from a fantasy world in this example, which makes the comparison more appropriate.
I don’t suggest using a comparison just “cuz you can” but actually being thoughtful about what you’re comparing your character to and how it applies to your character and/or setting.
W O O D
Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
Wood is definitely an iffy description for skin tone. Not only due to several of them having “foody” terminology within their names, but again, associations.
Some people would prefer not to compare/be compared to wood at all, so get opinions, try it aloud, and make sure it’s appropriate to the character if you do use it.
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”
These are trickier to use. As with some complex colors, the writer will have to get us to understand what most of these look like.
If you use these, or any more rare description, consider if it actually “fits” the book or scene.
Even if you’re able to get us to picture what “rutile” looks like, why are you using this description as opposed to something else? Have that answer for yourself.
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
P H Y S I C A L D E S C R I P T I ON
Physical character description can be more than skin tone.
Show us hair, eyes, noses, mouth, hands…body posture, body shape, skin texture… though not necessarily all of those nor at once.
Describing features also helps indicate race, especially if your character has some traits common within the race they are, such as afro hair to a Black character.
How comprehensive you decide to get is up to you. I wouldn’t overdo it and get specific to every mole and birthmark. Noting defining characteristics is good, though, like slightly spaced front teeth, curls that stay flopping in their face, hands freckled with sunspots…
G E N E R A L T I P S
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Get Creative On Your Own: Obviously, I couldn’t cover every proper color or comparison in which has been “approved” to use for your characters’ skin color, so it’s up to you to use discretion when seeking other ways and shades to describe skin tone.
Skin Color May Not Be Enough: Describing skin tone isn’t always enough to indicate someone’s ethnicity. As timeless cases with readers equating brown to “dark white” or something, more indicators of race may be needed.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
PSA: Don’t use “Colored.” Based on some asks we’ve received using this word, I’d like to say that unless you or your character is a racist grandmama from the 1960s, do not call People of Color “colored” please.
Not Sure Where to Start? You really can’t go wrong using basic colors for your skin descriptions. It’s actually what many people prefer and works best for most writing. Personally, I tend to describe my characters using a combo of basic colors + modifiers, with mentions of undertones at times. I do like to veer into more creative descriptions on occasion.
Want some alternatives to “skin” or “skin color”?Try:Appearance, blend, blush, cast, coloring, complexion, flush, glow, hue, overtone, palette, pigmentation, rinse, shade, sheen, spectrum, tinge, tint, tone, undertone, value, wash.
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
THIS NEVER CEASES TO BE AMAZING, bless writingwithcolor
For people learning French and wanting to speak it like a native, I’ll give you some tips, the things native people say (so you can sound less formal when you speak it).
“Je suis” is often shortened to “j’suis” and if we say it fast, it becomes “chuis”
“Tu es” and basically every verb with “tu” that starts with a vowel, we contract it and make it “t’es”, “t’arrives”, etc.
“il y a”, “il y avait” are most of the time shortened to (oral speech and when writing to a friend) “ya”, “y avait”
To make a question, it’s rare that we use the “est-ce que” form, we just take the affirmative sentence and put a question mark at the end : tu veux manger? (instead of : veux-tu manger?, est-ce que tu veux manger?)
Some abbreviations we often use :
bcp (beaucoup), mtn (maintenant), pk (pourquoi), tlm (tout le monde), mm (même), ptn (putain)
I know this post is probably useless but if you have any questions about french, ill be happy to answer them!
THIS WAS HELPFUL!
Also some things I’ve learned:
Drop the ne from ne … pas. So instead of saying « Je n’y mange pas », say « J’y mange pas.»
In Paris at least, they tend to prefer on over nous. On va au ciné, au musée, etc. is more common than Nous allons…
The on over nous is simply everywhere in France, if not in francophone areas!
The ne…que construction: apply the en dropping rule too 😉 but we also use juste A LOT, probably an anglicism? (e.g. je veux juste l’écouter)
j’suis and chuis can be applied to j’sais and chais too
informal greetings for hello: salut, coucou
informal greetings for bye: salut, ciao (frenchified spelling: tchao), tchô, bye, à plus, à toute (short for à tout de suite or à tout à l’heure, when you’re gonna see the other person in a few minutes or later in the day)
avoir des sous : to have money – we often say des sous instead of de l’argent
I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.
I’ve been away from home for three weeks – the longest I’ve spent away from the family since Penny was born five and a half years go (actually, it may be the longest stretch I’ve spent away from Liz since we married).
Why was I gone so long? Well, I went to crew on the Lady Washington, a historic tall ship replica.
[photo by Robin Corley]
Launched in 1989, she’s based on a ship from the 1750s which had a significant impact on the history of the Pacific Northwest (as well as being the first American flagged ship to reach Hawaii, China, and Japan, and the first American flagged ship to cross Cape Horn).
[You might remember her as the Interceptor from Pirates of the Caribbean: Curse of the Black Pearl]
It was a wonderful experience. I went in with a (laughably) general idea of line placement:
[Done traveling west to get a sense of the boat’s layout]
I flew into Vancouver and had a short few hours at VanCaf, which was lovely. 90% of the folks who picked up books were animators. I didn’t realize that Vancouver had such a substantial animation presence.
I spent the first few days aboard Lady trying to acclimate myself to the lines as well as possible. Knowing them was essential to doing one’s job. There are between 150 and 160 lines, depending on whether or not the royals are in play.
I got to where I felt good about most everything but the masts. I could use another week on those.
Our first twelve hours in the Pacific I was very seasick. I haven’t been seasick since I was twenty-one, but then again I haven’t been below decks in choppy waters in a tall ship. The only time I wasn’t feeling awful during that stretch was when I was on bow lookout, standing up high holding the stays and watching for cargo containers, buoys, crab nets, whales, ships, anything else that might present a hazard. The midnight-to-four watch was especially cold, but it was exciting, too.
[Across the bar, chilly and damp but intact]
We crossed Columbia River Bar (known as “The Graveyard of the Pacific” due to its propensity for causing shipwrecks… more than two thousand) and sailed into the Columbia, which was spectacularly beautiful. We spent some of our time walking around the woods, cliffs, beaches, and caves near Cape Disappointment.
Anyway, I learned a lot, got to sail every day, got to experience the Oregon and Washington coasts and visit ports where I’d never been, and had a chance to learn and do most every job on the ship, from working the rudder in rolling seas (heavy!) to casting gaskets and furling sails on yards seven stories high.
It was a wonderful experience (which I hope will bring a greater degree of accuracy and verisimilitude to future stories) and I look forward to returning. But for now, I’m so glad to be home with the family and I’m eager to get back to making comics.
don’t just pay it. do not automatically pay the hospital bill when you receive it. call your health insurance provider and POLITELY say, “excuse me, i just received a bill for $1200 for my hospital visit/ER visit/etc., is that the correct amount i’m supposed to pay?” because hospitals bill you before your health insurance and they will take your money no matter how the amount due may change based on your health insurance looking at it. 90% of the time, if your health insurance is in any way involved in the payment of that bill, you do not have to pay as much as the hospital is billing you for. call your health insurance provider first, and POLITELY request clarification, always remember that the person you are talking to is human and this is just their job, and then you will very likely find out you actually only owe $500.
don’t shout at anyone about it, don’t get mad, just understand that this is The Way Things Are right now and call your health insurance provider before paying the bill your hospital just sent you. there’s a chance the hospital bill might be correct, true, but call your health insurance provider.
THIS IS SUPER IMPORTANT. after my car accident last year the hospital billed me ~$8000. They sent me letters asking me to pay, and I called them back saying my insurance was processing the claim. This is also what I told the collection agency when they kept calling me about the $1000 emergency room fee (billed separately from the hospital fee, mind you). Once everything got straightened out, all I was actually liable for was my $200 emergency copay.
!!!!!!! things my ass didn’t know !!!!!!!!
Yes this is a life lesson my adulting ass didn’t know I needed and I’m out 80 bucks for an anti-nausea pill. 😒😒😒😒😒
Reblogging for American friends.
Also, it is important [for people receiving medical care in the USA] to carefully read all of the items on the medical bill and look for errors and overcharges. I know that the normal feelings of avoidance and dread can make it hard to look at scary hospital bills, and that’s okay! But as the OP mentions, private orgs like hospitals don’t monitor overpayment of bills – they are motivated to charge you extra – and it is basically impossible to get your money back. Read the bill carefully and make sure that the charges are correct, using the links below for help if you need. If they haven’t sent you an itemized list, you can ask for one. Sometimes you will be charged extra for items or treatment you didn’t receive. Most people don’t know that you can dispute medical bills! But in 2009, Consumer Reports stated that 8 out of 10 medical bills scrutinized by a watchdog had errors, and generally you are not obligated to pay for someone else’s error.
You may be charged for using medication that you actually brought into the hospital with you – that’s easy to dispute! You may be charged for the consumables used during your stay such as sheets, gloves, gowns, etc – the hospital should actually cover that under its running budget. You may be charged for a brand name drug if the generic was available for cheaper – the links below explain how and when you can dispute this. You may be charged a surprisingly expensive “oral administration fee” (where a nurse puts pills for you to take in a little clean paper cup and then hands it to you) but that’s worth disputing if you were actually able to take the pill out of a bottle and put it in your own mouth. And so on.
After many requests, I’ve made a rebloggable version of my ‘Weather Magic’ page. Here you will find heaps of resources to help you with weather/storm craft. If you’ve read some of my previous posts about weather magic you will notice some similarities – that is because this is a collection of every weather witching post that I’ve ever posted compiled into handy resources post.
Weather Magic
The term “weather magic” or “weather witching” has been used to mean anything from divination and forecasting of weather to actual control and manipulation of the weather itself. From calling up treacherous storms to destroy another’s crops or providing fair winds for those at sea, witches (and even those who do not consider themselves to be such) have always been involved with weather magic. When you consider that most forms of magic are based around an agricultural past, the ability to affect and predict the weather was considered an invaluable skill. After all, if your family’s livelihood depended on the success of your crops (or the ability to find water as it did in my family’s case), weather magic would be an extremely handy thing to know.
Why the url Storm Born Witch?
I am quite fortunate, as the gift for weather related magic comes easily to my family. For generations, the men in my family have been dowsers or water diviners. However, it wasn’t until after I displayed an aptitude to weather related magic that I was told about my family’s history with it. My grandfather was the last water diviner in the family and he died when I was very young so I was never taught how to divine for water. My grandmother was the one to teach me what little she knew about weather magic – the rest either occurred naturally or I picked up along the way.
Calling Up A Wind – Whistling Up A Wind
This is the most common form of weather magic and has been practiced for hundreds of years. Depending on the pitch and tone of the whistle a witch can create a gentle breeze or a sharp gust of wind. Traditionally, if the skill of whistling up a wind does not come naturally to you the option of making a ‘wind whistle’ out of willow or alder wood is available.
Here in Australia, whistling up a wind is probably the most common form of magic I do. I honestly do not go a day without whistling up a cool breeze. It’s bloody hot here and sometimes a cool breeze is just what you need.
Storm casting is the art of creating storms. There are many different methods to creating storms and bringing rain. The method used by my family is to fill a jug with water and while sitting outside (or facing a window) pour the water into a basin or bowl. Dip the tip of your pointer finger into the water and slowly make five clockwise circles in the water (if you have a pendant necklace this can be used instead – just above the water in the bowl). As you are making the circles call the wind to bring in a storm by blowing (or whistling a continuous low note – the sound of wind over the mouth of a glass bottle) over the water in the basin.
Ways to Stop a Storm (Dispersing, Binding & Preventing)
There are multiple ways to stop a storm. The most common are dispersing or binding storms. However there are also ways to prevent storms from coming by directing them away from where you are. This is great if you’re holding an event outside and you need good weather.
Dispersing
This method involves spreading the storm out over a large area thereby minimising its effects. You can disperse a storm by calling winds to blow it away (or in a certain direction) or if you favour using weather maps you can draw the low pressure system moving away and gradually dissipating.
Binding (Storm Catching)
This method is also called ‘storm catching’ and involves catching a storm and binding it within an object (usually a bottle or knots) so it can be released gradually at a later date by pulling out the cork or undoing the braid/knots.
Storm catching or “reeling in a storm” is even more difficult than storm casting so it’s always wise to think before you cast. Too much energy put into a storm and it will go on for weeks (and cause some flooding – basement incident) or it will be extremely violent and knock down power lines and tree branches. Too little energy and all you will get is a 5 minute shower of rain.
However, if you wish to prevent a storm from forming, you’re going to have to pull out the weather maps. To make a weather map all you need to do is to print out a map of your local area or the area you’re trying to keep a storm away from.
Just use google maps and don’t make the area too big or you might seriously strain yourself magically. Then laminate the map – now you have your own ‘whiteboard’ to draw weather symbols on to generate certain types of localised weather.
Once you’re ready, find out what the weather is predicted to be and draw it on your map. Now draw the high/low pressure systems moving so that the area you’re trying to protect doesn’t get rain. This method can also be used to bring rain to a certain area.
The trouble with weather magic by skychild1989 – This post outlines some of the things you should think about before performing weather magic (i.e. think about the possible consequences of your actions and evaluate you capabilities before messing with things you don’t know that much about). This is a really good reminder.
The Difference between Storm Water and Rain Water by stormbornwitch – This post highlights the symbolic differences between storm water and rain water and also discusses the properties the water can take on when it is collected at certain times of the year (i.e. particular lunar phases/holidays/sabbats/esbats/solstices etc).
Storm Water by stormsorceress – This post is great and outlines the associations and uses of storm water in witchcraft.
Rain Water by stormsorceress – This post outlines the different types of rain water, their associations and uses in witchcraft.
Storm Water by fumbletongue – This post highlights and gives ideas for the many uses storm water can have in one’s craft; from protection to cursing.
Storm Witch’s Power Bath by brynja-storm – This post gives the ingredients of a power bath which is designed to give you the energy of a storm; great for when you’re in need of a recharge or before you perform a big spell.
The Storm Witch’s Hurricane Curse by brynja-storm – This curse traps its target in an eternal storm with all the gale force winds, rain, lightning and debris associated with a hurricane.
A Light in the Storm by stormsorceress – This spell is meant to be used to aid in the healing of seasonal depression. Other uses of this spell include aiding in the healing of sadness, grief, and anxiety as well as providing a ‘guiding light’ to people you wish to protect while travelling.
And as always my ‘weather witching’ tag will have links to every single post that I’ve posted which has anything to do with weather magic.
pistols and revolvers are not any different in how you handle them safely but here’s what they look like
finger is off the trigger unless you’re ready to shoot. it should not touch the trigger guard or the trigger. It should be up on the frame (it can be touching the slide)
the strong hand (the one you write with or prefer to write with) holds the gun by the grip and your weak hand (the free hand) covers the weak one like so:
appropriate position of the fingers and thumbs from above:
watch out for slide bite, which is when the slide cuts your fingers or your hand. This video illustrates a woman getting slide bite from her weapon because she crossed her thumbs : tw for blood
WHERE TO PULL A TRIGGER FOR ACCURACY:
trained gunners will not point the gun at anything they don’t plan to destroy. muzzles are pointed down (but not at the feet)
adenoidal: if someone’s voice is adenoidal, some of the sound seems to come through their nose
appealing: an appealing look, voice etc shows that you want help, approval, or agreement
breathy: with loud breathing noises
brittle: if you speak in a brittle voice, you sound as if you are about to cry
croaky: if someone’s voice sounds croaky, they speak in a low rough voice that sounds as if they have a sore throat
dead: if someone’s eyes are dead, or if their voice is dead, they feel or show no emotion
disembodied: a disembodied voice comes from someone who you cannot see
flat: spoken in a voice that does not go up and down. This word is often used for describing the speech of people from a particular region.
fruity: a fruity voice or laugh is deep and strong in a pleasant way
grating: a grating voice, laugh, or sound is unpleasant and annoying
gravelly: a gravelly voice sounds low and rough
gruff: a gruff voice has a rough low sound
guttural: a guttural sound is deep and made at the back of your throat
high-pitched: a high-pitched voice or sound is very high
hoarse: someone who is hoarse or has a hoarse voice speaks in a low rough voice, usually because their throat is sore
honeyed: honeyed words or a honeyed voice sound very nice but you cannot trust the person who is speaking
husky: a husky voice is deep and sounds hoarse (=as if you have a sore throat), often in an attractive way
low adjective: a low voice or sound is quiet and difficult to hear
low adverb: in a deep voice, or with a deep sound
matter-of-fact: used about someone’s behaviour or voice
modulated: a modulated voice is controlled and pleasant to listen to
monotonous: a monotonous sound or voice is boring and unpleasant because it does not change in loudness or become higher or lower
nasal: someone with a nasal voice sounds as if they are speaking through their nose
orotund: an orotund voice is loud and clear
penetrating: a penetrating voice or sound is so high or loud that it makes you slightly uncomfortable
plummy: a plummy voice or way of speaking is considered to be typical of an English person of a high social class. This word shows that you dislike people who speak like this.
quietly: in a quiet voice
raucous: a raucous voice or noise is loud and sounds rough
ringing: a ringing sound or voice is very loud and clear
rough: a rough voice is not soft and is unpleasant to listen to
shrill: a shrill noise or voice is very loud, high, and unpleasant
silvery: a silvery voice or sound is clear, light, and pleasant
singsong: if you speak in a singsong voice, your voice rises and falls in a musical way
small: a small voice or sound is quiet
smoky: a smoky voice or smoky eyes are sexually attractive in a slightly mysterious way
softly spoken: someone who is softly spoken has a quiet gentle voice
sotto voce adjective, adverb: in a very quiet voice
stentorian: a stentorian voice sounds very loud and severe
strangled: a strangled sound is one that someone stops before they finish making it
strangulated: strangled
strident: a strident voice or sound is loud and unpleasant
taut: used about something such as a voice or expression that shows someone is nervous or angry
thick: if your voice is thick with an emotion, it sounds less clear than usual because of the emotion
thickly: with a low voice that comes mostly from your throat
thin: a thin voice or sound is high and unpleasant to listen to
throaty: a throaty sound is low and seems to come from deep in your throat
tight: a tight voice or expression shows that you are nervous or annoyed
toneless: a toneless voice does not express any emotion
tremulous: if something such as your voice or smile is tremulous, it is not steady, for example because you are afraid or excited
wheezy: a wheezy noise sounds as if it is made by someone who has difficulty breathing
wobbly: if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry
Meg's Mumbles 
