As a thank you for these years of support and inspiration, Iām hosting a giveaway in which I will be giving flinthamilton related stuff. What do you need to do? You need to follow me, reblog this post at least one time, and wait until December 5th when I will be announcing the winners. Also, you need to be comfortable on giving me your email address (to send the PDF) and your home address (to send the goods)!
First Place will be winning a PDF of my teen!flinthamilton zine: Invincible, two flinthamilton notepads, a pair of teen!flinthamilton stickers, and a drawing (related to the otp) of your choice valued $57 USD based on my commission rates, completely for free. It will be a digital drawing, of course.
Second Place will be winning a flinthamilton notepad, a pair of teen!flinthamilton stickers and the PDF of my teen!flinthamilton zine: Invincible.
Third Place will be winning the flinthamilton notepad and the teen!flinthamilton stickers.
If you want to buy the Zine, remember you need to make a PayPal transfer to bere_weillschmidt@live.comĀ with the subject: Teen!FlintHamilton Zine. More info here.
Thank you so much for all these years of fun and support!
This entire battle is being waged over the pardon provision. Without it, I could get this passed in a matter of hours. The rest of it is meaningless without the pardons. Theyāre the only hope for redeeming Nassau.
Alright, so – here goes. Yāall wanted this – sorry if it gets long.
I think Vaneās character arc makes complete and utter sense but the writers handled it in a way that makes sense with his character but doesnāt inform the viewers whatās going on in his head. And thereās a lot going on in there – so much, actually, and it informs everything we see him do in the show. Unfortunately, without understanding whatās going on in his head, he looks like heās all over the place and retconned to hell in later seasons. Heās not, I promise. Heās just not chatty like James.
We know that Vane was a slave. We see that heās got scars a lot like Anneās on his back from being beaten, and we get hints that heās been sexually abused (his conversation aboutĀ āa visit from the taskmaster in the middle of the nightā with Jack), but it didnāt really hit me until later that as a natural consequence of what he went through, Charles Vane has absolutely no clue what to do when he has no orders. Thatās what heās dealing with for the first time in his life in s1 – he has no master. Thereās no Albinus to beat him into obedience. Thereās no Teach, telling him what to do and making him do it through bargains and debts owed when necessary. Thereās no Eleanor, meaning well but also in charge of the islandās trade and very much accustomed to getting her way however she can. Heās got Jack, and Anne, and a crew he presumably built while Teach was still around or shortly thereafter, and heās terrified.Ā
Just look at the evidence. He all but begs Eleanor to let him back into her life, heās drinking too much, smoking opium – heās a damn mess, and I donāt think that itās all to do with Eleanor. Thatās what we as an audience largely got out of it, sure – messy breakup leads to Very Bad Decisions on his part especially (and no Iām not excusing what he did, it was heinous and wrong and I donāt blame anyone for hating him for it. Really, truly, I donāt). What I am saying is that I think thereās some highly toxic shit going on in his head that explains what he does but doesnāt excuse it by any means and that him killing Albinus is him fighting so very hard to stop wanting ordersĀ the way he was conditioned to when he was a child. Thatās what his character arc is – him realizing that heās been following someoneās orders all his life and that he needs to find a way to get out of that headspace where he needs someone telling him what to do. Thatās what hisĀ āI didnāt do it for youā to Eleanor is about – itās not him telling her he doesnāt care about her, itās him telling her that heās not taking orders anymore, that if theyāre going to have a relationship, things have got to change.Ā
Note: no matter what I might say next, I am not attempting to shit on Eleanor. I love her too. I feel for her, and my heart breaks for her, because on some level sheās still that terrified, hurting 13-year-old kid she was when the Spanish burned her home and killed her mother and she has good reasons for the things she does. She and Charles just – did. not. understand each other, not at all, and thatās a shame.Ā
To continue on though – I think Charles gets to the end of s2 and finds a cause to fight for that has nothing to do with Eleanor, or with Teach, and thatās where he really starts to change, because heās realized what being a slave did to him. Heās realized that he canāt continue on that way, and heās come to the understanding that no one should have to live like that. He goes to Charlestown to get the Spanish war ship not because he necessarily wants it for his crew, but because he needs it to get the gold, or, barring that, he needs to find another way to make the money to fight for Nassauās freedom. It actually works very well with historical Charles Vane, who was also looking for allies for this very reason and happened to go to Jamaica – another English colony, only one with a sympathetic governor, but I digress. Anyway – the end of s2 rolls around, Vane has an ally he never expected in Flint – and then s3 happens and turns everything Charles thought he knew on its head, because all of a sudden Teach is there, and Flint is gone, and Charles is having to make decisions. Heās having to really think for himself and live with the consequences of his decisions and with the reality of effectively ruling an island and he realizes that heās frightened. And outnumbered. He says as much to Jack when he talks about feeling the uncertainty and the fear of his time as a slave coming back. Heās scared again, and that leads him to almost make the decision to let Teach be in charge of him again. We see him waffle. We see him start to doubt himself, but then we also have moments like the one with the Spanish soldier, and I didnāt realize this until recently, but that moment is an important clue as to whatās going on in Vaneās head.Ā
The Spanish man he fights says that money makes sheep of us all. He tells Charles that he has a family at home who will starve unless he dies in battle, and we can see Charlesā face. We can see the disgust at what this manās been made to do. We can see the moment that he thinks – isnāt this worth fighting against? We also can hear his confusion earlier when he tells Teach that everyone in Nassau thought he was mad when he talked like Teach – and I really think that momentās not about Charles being relieved to have Teach back. Thatās not it at all. Itās a moment ofĀ āyou said this, but no one else thinks that, and why am I still listening to you? Why am I letting you take charge of me again, donāt I have my own thoughts?ā The moment that Charles takes those Spanish intelligence papers, we can see that he doesnāt agree with Teach. Heās not done with Nassau, and heās questioning, and doubting, and more importantly – heās having to figure out his own answers to the questions heās asking himself instead of having someone answer them for him the way perhaps Eleanor would have done once. Or Jack. Or whoever he was previously allowing to do the thinking for him, and thatās not happening anymore, and thatās exactly why he goes with James when he turns up looking like hell on Ocracoke.
If you follow the train of thought – Charles has spent three seasons learning to think for himself. Heās been up and down and lashed out at just about everyone when they even remotely attempt to control him (or if he perceives that theyāre trying to), and thatās why when James Flint turns up on Ocracoke Island, itās so very important that he basically tells CharlesĀ āyou donāt owe me shit. Iām not going to leverage some debt, or call in a favor, or coerce you into this. Decide what YOU want. Decide who you are.ā Thatās a far damn cry from Teach rolling up to Nassau, apparently intent upon saving Charles from himself, and in the process more or less blackmailing him into coming away. Itās also exactly the only thing that James could have said to Charles that would have convinced him. He doesnāt need to be coerced again. He doesnāt need or want to be manipulated or ordered about. He wants to be his own person, with his own agenda, and thatās the moment that settles him on it. Itās a big deal, and itās a big part of the reason that his speech aboutĀ āno measure of comfort worth that priceā works, because Charles has worked hard to get to that point. Heās been told over and over againĀ āsubmit and weāll give you what you need.ā And heās realized that no matter whatās promised, itās not worth the loss of autonomy.Ā
And thatās why I think if Charles had been there to see the end of the series, heād have gone absolutely nuclear. Thatās why he had to die for the series to end the way it did – because Charles Vane would never, ever have accepted any treaty. Heād never have been pacified, heād never have given England or Spain even one ounce of what they wanted, because he worked too damn hard to stop wanting orders, and realize what they did to him. And unfortunately exactly none of this is ever talked about out loud in the series, and we never hear it from Vane himself except in oblique references. I really wish weād gotten just one conversation maybe between Jack and Anne or Jack and Flint about Charles and what exactly drove him, because I wouldnāt have had to sit down and puzzle this all out myself. On the other hand, I now have feels about my strong, resilient, incredibly stubborn garbage son who went through so much and fought so hard just to be free.
Anne Bonny: haha youd have to stab me with atleast 6 more knives than this, this is so little amount of knives that i am stabbed with
Augustus Featherstone: i want to thank everyone for their kind words, i haven’t received any kind words yet it’s just something i want to do in the future.
Billy Bones: things have only gotten worse since i started making everything worse
Charles Vane: dont betray me and act surprised when i get revenge on you, thats the number one consequence of betraying me. everyone knows it. even babies
Eleanor Guthrie: look, the last thing i want to hear is various criticisms
Jack Rackham: no i didnt drop all this on the floor, i dramatically knocked it out of my own hands because i have something to prove
James Flint: “i think this is something we can all agree with” – me gesturing to everything i have ever said
John Silver: i did what i needed to do to survive, then i did a bunch of other stuff i felt like doing.
Madi: some times in life you have to make choices, other times in life you don’t have to make choices, those are just some of the times that happen in life.
Max: hey murderers and killers, knock it off. stop killing and murdering all the time, thats just my opinion though
Miranda Barlow: what does letting the bodies hit the floor actually solve?
Thomas Hamilton: things may be bad now, well see you later.
Woodes Rogers: i did everything right, except for all the irreparable mistakes and errors.
He isnāt mad. Heās just bright, determined, handsome, beautiful, sexy, all at the same time. / El no es loco. Sólo es brillante, decidido, guapo, bonito, sexy, todo al mismo tiempo.