The eyes-in-the-front thing (usually) only applies to mammals. Crocodiles, arguably the inspiration for dragons, have eyes that look to the sides despite being a predator.
hey what up I’m about to be That Asshole
This isn’t a mammalian thing. When people talk about ‘eyes on the front’ or ‘eyes on the side,’ they’re really talking about binocular vision vs monocular vision. Binocular vision is more advantageous for predators because it’s what gives you depth perception; i.e, the distance you need to leap, lunge, or swipe to take out the fast-moving thing in front of you. Any animal that can position its eyes in a way that it has overlapping fields of vision has binocular vision. That includes a lot of predatory reptiles, including komodo dragons, monitor lizards, and chameleons.
(The eyes-in-front = predator / eyes-on-sides = prey thing holds true far more regularly for birds than it does for mammals. Consider owls, hawks, and falcons vs parrots, sparrows, and doves.)
But it’s not like binocular vision is inherently “better” than monocular vision. It’s a trade-off: you get better at leap-strike-kill, but your field of vision is commensurately restricted, meaning you see less stuff. Sometimes, the evolutionary benefit of binocular vision just doesn’t outweigh the benefit of seeing the other guy coming. Very few forms of aquatic life have binocular vision unless they have eye stalks, predator or not, because if you live underwater, the threat could be coming from literally any direction, so you want as wide a field of view as you can get. If you see a predator working monocular vision, it’s a pretty safe assumption that there is something else out there dangerous enough that their survival is aided more by knowing where it is than reliably getting food inside their mouths.
For example, if you are a crocodile, there is a decent chance that a hippo will cruise up your shit and bite you in half. I’d say that makes monocular vision worthwhile.
Which brings us back to OP’s point. Why would dragon evolution favor field of view over depth perception?
A lot of the stories I’ve read painted the biggest threats to dragons (until knights with little shiny sticks came along) as other dragons. Dragons fight each other, dragons have wars. And like fish, a dragon would need to worry about another dragon coming in from any angle. That’s a major point in favor of monocular vision. Moreover, you don’t need depth perception in order to hunt if you can breathe fucking fire. A flamethrower is not a precision weapon. If you can torch everything in front of you, who cares if your prey is 5 feet away or 20? Burn it all and sift among the rubble for meat once everything stops moving.
Really, why would dragons have eyes on the front of their heads? Seems like they’ve got the right idea to me.
and it’s… fine. The prince is great! They’re in love, he’s very sweet and passionate, writing her poems and songs, giving her anything she wants. The time she spends with her husband is great.
but cinderella is not royalty, her family was noble but she never spent time in those circles. She’s used to being busy, she’s used to cooking and cleaning and mending. There are hours, days, where she has nothing to do.
time passes. cinderella learns the fancy lady type of needlework. Learns to ride horses. Reads a lot.
as is normal for royalty at the time, they travel and are hosted by nobles or stay at castles owned by the king. But even that variety begins to become routine. The prince is distracted, there’s a lot of young women living and working on their route. Daughters of nobles. Younger and prettier with soft hands that have never done a day’s work.
cinderella needs something to spend her time on, and there’s a part of her thinking a couple-only trip might get her husband’s attention again, so she suggests making an old castle that’s fallen into disrepair their “project.” It was built in the time when castles were made to be defensible, so it’s quite sturdy, but it’s overgrown and secluded. The prince doesn’t know why his family stopped living there either. A hundred years ago it was their summer home.
so they go. And they work. And for a while it’s great! But when they leave for winter cinderella’s husband forgets her once again. cinderella resolves to make the best of her life and stop worrying about a man who has gotten what he wanted from her.
summer comes again and this time cinderella goes alone to the old castle (minus staff, of course, but cinderella manages to narrow it down to only repair workers and one maid). She can cook and clean and mend again, but this time it’s her own choice. She is happy.
this summer they make more progress on repairs. The workers say that most of it can be salvaged, except one tower that’s been completely overgrown with vines and briars. It will have to come down, eventually, but for now it can be safely ignored.
cinderella has more free time now. The old castle has a surprisingly untouched library, though time and moisture have damaged many of the books. Behind a collection of greek poetry cinderella finds an old diary. Very old, in fact, at least a hundred years. It’s rude to read a diary, of course, but whoever wrote this is long dead, and cinderella is bored, so…
from the description of activities the author looks to have been nobility. Maybe even a princess. She’s sensitive and sweet and smarter than she seems to realize. If circumstances had been different cinderella wishes they could have been friends…
after the summer ends cinderella returns to her husband. He’s spending a lot of time with a young musician and cinderella can’t even work up the energy to care. She does some research about the castle and the family she’s married into, finds out the name of the princess who wrote the diary.
aurora. Cursed and forgotten. She died young, they say, in a plague that also took out the castle staff and her own parents. Luckily they avoided a succession crisis, but not so lucky for the dead.
time passes. cinderella goes to the old castle again and again, even out of season. Soon enough all that remains to be done is the old tower, and the builders say they should tear it down and fill the gaps before it gets cold.
one night cinderella is restless. The princess from the diary had been fond of that tower, and cinderella is far more attached to a dead woman than she ought to be. She gets out of bed, reads by candlelight, and finally goes to walk the empty halls.
she finds herself going to the tower. Pushing past the vines that don’t seem so troublesome really. They almost part before her. The stairs are perfectly intact, the door at the top is already cracked open. As if she should have done this years ago, cinderella steps into aurora’s bedroom.
she’s as beautiful as the stories say. And sitting under her hands, crossed across her stomach as it rises and falls, is a book of greek poetry.
years later, people will tell the story of cinderella as a cautionary one. Don’t seek above your station. Don’t marry for prestige. After all, a girl who grew up as a servant once married the crown prince, and disappeared after only three years. She ran away, they say, she couldn’t handle the lifestyle.
two old women who run a bookshop together agree with the lesson. Marrying for the wrong reasons never ends well. It’s best to wait for someone you have things in common with, shared interests.
or, failing that, the more linguistic of the two says, wait a decade or ten for someone to fall in love with you from your diary.
her partner laughs and hits her with the socks she is mending.
Meg's Mumbles 